Some six years ago now, we moved to the house adjoining what is now Rumwoldstow. At that time, there were two self-seeded sycamore trees which overshadowed the walled garden almost entirely, being to the south. We somewhat sadly had them felled (we’ve planted other trees in more suitable locations) and one of them had a fine section of trunk that I couldn’t bear to waste, so we had some guys with a mobile sawmill cut it into beams. At the time, Rumwoldstow was a very faint beginnings of an idea and we had little in the way of plan for using the beams. However, thanks to Al’s hard work, they have now come into their own! He has used them to build the rafters for the central gatehouse tunnel; they are perfect, and were just sufficient for the job!
It’s great to make a showpiece of timber that has travelled no more than 50m from where it grew.
The rafters over the guardrooms to the sides of the gatehouse tunnel are ordinary timber bought from a builders’ merchant. But it won’t be as visible.
One final shot of the garden, which has been strimmed so you can actually walk around it. Slightly inauthentic borage – the Romans had it, and the later mediaevals, but I don’t know of evidence of it in the tenth century. But it’s covered in bees. The Iris Germanica didn’t flower last year, apart from one randomly white blossom, but the plants have filled out excellently and we have some nice purple flowers.
The nuns of Rumwoldstow were delighted this afternoon to receive a missive from the noble lady Wulfruna, who I believe to be an honoured geneat among the people of Cilternsaete. She sent us a gift to help us make our herbal infusions.
Yes, we’ve been given a teabag squeezer! It will live in the scullery drawer, and we thank the lady Wulfruna for her kindness.
Al has cut and fitted the rafters for the guardroom roofs, freeing up the pallets from inside the guardrooms, to now build working platforms for the next state which is fitting rafters in the tunnel area.
I think we’ve been working on the Roman gatehouse for 2 years now? Yes I could check, that’s why I have a blog, but I can’t be bothered just now. A point of some anxiety has been how to construct the blocks to hold the top of the gate pivot posts. Just as the arches had to be right, the gates also need to look right and move in the right way. Al finally worked out a plan, possibly prompted by the near arrival of Chris the stonemason, and cast the first of the two incredibly important blocks! I keep wanting to call them corbels, but corbels are meant to hold things up, whereas these blocks are for holding something in place below them. Anybody know what they are called? There must be a technical name for them apart from “big stone with a hole in to hold the gate pivot in place”.
The first metaphorical milestone, fresh out of its mould
Al made a rectangular mould with think plywood scavenged from a pallet to form the curve, and a bit of plastic drain pipe to leave the hole for the pivot post. This will remain in place and will be undetectable unless some irritating person goes up there on a ladder with a torch determined to find fault. And none of you would do that would you?
I took advantage of the spring sunshine to cut back the wormwood, southernwood, costmary and some other plants. And to observe how well traditional plants self-seed where you don’t want them…
Of course I now feel that we ought to have a real milestone. Out along Green Street perhaps?
You will remember from my previous post that “voussoir” is the technical term for shaped blocks to form an archway, and ours were cast in artificial stone by the fabulous people at Bespoke Concrete. Tuesday November 9th was the great day when everything was ready and Chris arrived bright and early to try to build the entire arch in one day. Splitting it into two days build would have been possible but we all felt it would be much better to complete it in one go instead of leaving part of an arch overnight. This was a good decision.
We chose to build the arch out of just one type of block as it made designing and sourcing the blocks easier. So the springers (the bottom stone of the arch on each side) and the keystone (the top centre stone) are all the same slightly trapesoid block.
If you’d like to see a real Roman arch in Britain, go to Lincoln where are not one but two Roman gate arches dating back to the third century CE still in place. Aren’t they fab?
The block above each springer had to have a section cut out to fit against the lintels over the doorways to the side chambers. Al made templates to facilitate accurate cutting. The cutouts don’t show from the outside. We’re a bit pinched for space so everything is squeezed in a littler closer than would be ideal.
We did not realise it at the time but these photographs reveal another significant error on our part. Do you see what it is? If not don’t worry, you’ll find out at the same point we did…read on…
It was around this point that we realised that by aligning the bottom of the former with the top of the pillar blocks, we had effectively reduced the height of the arch by 20 mm. The former should have been raised 10 mm above the top of the pillars so the springers were aligned with the bottom of the former, but the springers were actually 10 mm higher because of the mortar layer on top of the pillar blocks. This meant there wasn’t room in the middle for the final keystone. Fortunately, the mortar was all still wet so Chris was able to nudge the blocks either side and reduce their spacing enough to slot in our keystone. It shows just how easy it is to make a mistake on an unfamiliar project.
Here’s the arch finished; this photo was taken the next day as Chris did all the pointing and filling in of gaps where the spacers had been between blocks after dark, by the light of one of they modern LED battery-powered work lights. Yay for modern technology!
Chris has built arches before but not this scale, and the entire process was new to the rest of us. Logic, trigonometry and first principles got us a long way, but lack of experience caused us to make several mistakes. These were fixable, but cost us time and stress; fortunately Chris’s skill and Al’s ingenuity saw us through. Overall though, we’re jolly happy to have a Roman arch!
Preparation is the key to success…so the first day of arch building was dedicated to checking the blocks against the “former” (the timber semicircle to support the arch while it is built) and getting the former firmly set up. Note Chris’s sweater, which is a Judith Glue special and says “Uurkni” meaning “Orkney” in Maes Howe viking runes. Bloody Vikings, coming over here building our Roman gatehouses in our Anglo-Saxon monastery sites…
In the photo above, Al and Chris are discovering our first notable mistake, which was my error. Dave made the former as a semicircle of the right size for the blocks, but I mistakenly thought it should be checked against the opening between the pillars and it ended up slightly differently sized. This caused problems as it was now too small for the blocks. Luckily Al had scavenged materials in store and was able to add a thin layer of flexible plastic strip to correct the size of the former.
The easiest way to be sure that the blocks would fit around the former was to lay them all out on the ground, rather than risk finding out there was a problem after lifting the heavy blocks up. This process was good in principle but we did make another mistake which came to light the next day.
It took Chris and Al a full day to fettle the former to the right size, check everything and get it in place ready to lay the blocks the next day.
The quest to source our voussoirs has been long and somewhat fraught. What’s a voussoir you ask? It is a shaped block for forming an arch. We could have gone for a rough ring arch, like those built by the Anglo-Saxons at Brixworth church (more photos here) using reclaimed Roman stone and brick, but our hearts were set on a proper stone archway for the gatehouse, as you’d find in any good stone Roman fort. The cost of actual hand-carved stone being prohibitive, Al cast the straight blocks for the pillars out of an artificial stone mix, setting fossils into the surfaces for extra verisimilitude. These are fab but took a lot of work and the making of angled moulds proved too much of a project for us. So there followed a trawl of t’internet for people offering custom cast concrete blocks, and we absolutely lucked out by finding Bespoke Concrete who cast our voussoirs in a beautiful buff artificial stone which looks pretty much exactly like Bath stone.
It was very exciting when the blocks were delivered on Friday; we did our trigonometry as carefully as possible to work out what size and shape the blocks should be to form the arch, and there was no reason to think anything would go wrong with the manufacturing process, but it was a great relief when we saw that they are indeed exactly as we wanted. Top marks to the folks at Bespoke Concrete, they did a perfect job.